ramblings of a pessimistic optimist

my Top 10 for 2011.

Alright, here we go.  

Condensate

The Original 7ven - Condensate

My childhood heroes formerly known as “The Time” who are legally no longer able to call themselves so because of a certain litigation happy purple midget, released their first album in over 10 years and their first without any input from the aforementioned “Artist”.  Largely an obvious attempt to make a relevant sounding record, this wouldn’t have even made this list if it weren’t for the sneaky way the lead off single “#Trendin” grew on me and the amazing standout tracks “Sick” and “Cadillac”.  I was hoping to see them tour, but ax man Jesse Johnson has already quit the band.  Again.  womp womp.

The Fall

Gorillaz - The Fall

Damon Albarn’s side project that kinda really isn’t anymore, never fails to disappoint and this album is no different.  A stellar tour, a guest appearance from soul legend Bobby Womack on “Bobby in Phoenix” and a track named after my hometown, there’s nothing not to like about this.

Stone Rollin'

Raphael Saadiq - Stone Rollin’

Ray Ray’s still on the retro-soul tip, and I for one am not complaning.  He seems hellbent on reminding today’s crop of “R&B” artists of their history and with a guest appearance from Yukimi Nagano from Little Dragon, this one’s a banger for sure.

Culture of Fear

Thievery Corporation - Culture of Fear

If you don’t know what to expect from a TC album, then I can’t help you.  

Let England Shake

PJ Harvey - Let England Shake

Me heart Polly Jean.  That is all.

Hot Sauce Committee Part 2

Beastie Boys - Hot Sauce Committee, Pt. 2

The Boys dropped another hot one and this one got almost NO press whatsoever, but “Watch The Throne” is the greatest thing ever.   WHATEVER.

5

Lamb - 5

This was one of a couple of albums I didn’t even know was released, but thanks to my new favorite thing in life (Spotify) I got it and have been enjoying for months now.  Yay, Spotify!!

What Were You Hoping For

Van Hunt - What Were You Hoping For?

My brother from another mother dropped the album he’s been threatening to drop for years now and man oh man, was it worth the wait.  Part Funkadelic, Part Bad Brains, Part Prince, Van goes off on a musical punk/funk tangent that I haven’t seen in I can’t tell you when.  Straight from the leadoff track “North Hollywood”, you know what you’re in for.  ”Designer Jeans” and “Watching You Go Crazy Is Driving Me Insane” are masterpieces.

Ritual Union

Little Dragon - Ritual Union

I love this band and they’ve grown with every release so far.  It’s a shame that even now they’re still critical darlings and the majority of the music buying public has no idea who they are.  This would have been my number 1 if it weren’t for the juggernaut that was….

21

Adele - 21

It’s rare that an album seems to impress everyone on Earth and Adele easily achieved that feat with her sophomore release, 21.  (what slump?)  Good lord.  I won’t review because I can’t imagine there’s anyone that’s going to read this that doesn’t own this album.  She deserves every award that there is and if she doesn’t achieve a clean sweep at this year’s Grammys i’m going to do something really really dumb.  (which means post a really angry blog)

How 1 episode killed “True Blood.”

So let me preface this by saying that I’ve been a True Blood fan from day one.  I’d missed something crucial on Sundays since The Sopranos left me wanting.  True Blood was dark and sexy and fun and so well written (in the first season).  

It became an immediate hit, an instant media sensation.  And slowly that’s when things started to go a little awry.  Now Seasons 2 and 3 really didn’t measure up to Season 1 but I haven’t been as pissed as some of my friends were.

This season limped in just how last season’s did.  With a whimper.  I mean the whole “fairies” thing (good lord).  But then as the season progressed, it started to get kind of good.  The whole witches vs vampire thing, Sam’s lowlife brother finally gets even with his asshole parents and becomes a skin walker, the whole Jessica/Hoyt/Jason triangle, just what the hell is going on with that creepy baby, I mean the last couple of episodes had me LITERALLY on the edge of my seat!!!

And then we have yesterday’s episode.  ”Let’s Get Out Of Here” written by Brian Buckner and directed by Romeo Tirone.  Henceforth known as the assholes that made True Blood officially jump the shark.  Sure, I know Alan Ball’s ultimately responsible but the episodes that he writes and or directs at least hold their own.  This thing was a train wreck.

Starting from the beginning with the “are you kidding me” dream sequence (THAT HAD NOTHING TO DO WITH THE STORYLINE) Sookie/Eric/Bill threesome dream.  Good lord.  We get that Eric and Sookie are fucking now.  GOOD LORD DO WE GET IT.  I didn’t read the books, but I hear that “Bill is an asshole in the books, and it’s all about Eric & Sookie in the books, blah blah blah” and beyond that ASkars is the actor that everyone drools over and wanted to see getting on with Sookie so this season has been pretty much one big Skinamax episode of “Vampires Gone Wild”. 

I digress.  Don’t get me wrong I love a good sex scene as much as the next person but it’s starting to get in the way of my show here.  That dream sequence was so dumb.  

SPEAKING OF DUMB, let’s get to the whole “Lafayette gets possessed by someone we don’t care about, has nothing to do with the plot, why is this happening?” part of the show. What the bloody hell was that????? I was hoping that this ghost chick had some sort of power of her own and was maybe going to be some sort of counter-balance to the whole Antonia/Marnie sitch.  Instead it turns into an episode of “Touched by An Angel” where the payoff scene is they dig up the poor lady’s bones and hand her dead baby bones to her whole cheesy music is playing and everyone watches her light ascend to the heavens and WHAT THE FUCK IS GOING ON?????  ARE YOU KIDDING ME?????

AND THEN!!!!!!!  So the whole Sam’s new piece is the douchy pack leader’s ex blah blah blah gets weird when he shows up to Merlotte’s and wants to have a chat with Sam one on one but Sam isn’t there Tommy is and Tommy is going to give him the message and Alcide is this standup guy but agrees to be there as “backup” for douchelord but then there’s 6 other dudes as backup and Alcide doesn’t seem to mind and then Tommy-Sam shows up (WHY?) and gets beat down while real Sam and Luna are making horizontal in a tent somewhere and oh my god this has to be the worst episode of True Blood ever.  

AND THEN!?!?!?!?!?  After not giving in to his libido for ONCE, Jason decides after telling Hoyt that getting in between his and Jessica’s shit isn’t his place that it is his place he goes over to Bill’s mansion to drop off a box of Jessica’s crap.  So after saying NO last episode and uninviting her from his house, she gives him a look and EVEN THOUGH BILL’S BIG ASS MANSION IS DESERTED BECAUSE EVERYONE IS AT THE STUPID RALLY THEY GO OUTSIDE AND BANG IN THE BACK OF HIS PICKUP TRUCK AND OH MY GOD WHY WHY WHY WHY?!?!?!?!?

Lastly, Sookie goes all the way to warn Bill to run in the room, say his name and then wait for vampires to start throwing people from balconies and for Eric to show up with murder in his eyes and THEN decides her plan is to tell Bill to “RUN!!!!!!!”   

I really don’t see how they can pull the season back from this.  And Alan Ball really needs to decide if he wants this show to stick around.  ”Boardwalk Empire” doesn’t have crap episodes in the middle of the season.  ”Supernatural” gets along just fine from season to season.  True Blood isn’t going to have many more seasons if these total lapses in judgement are going to keep happening to convince more and more people that this show has jumped the shark.  I’m not saying it has but there’s blood and a big ass fin in the water and that ramp looks awfully far from shore……

Amy, Amy, Amy.

Anyone that knows me knows how much of a music nerd I am.  It’s WHO I AM.  It’s why up until very recently (and not by my choice) my career of the last 20 years or so was spent in the music industry.  The second half of that was spent as an Artist Development Rep for EMI.  That had me promoting and exposing our releases in anyway I could.  Usually in record stores (back when there were some), but we’d just started to get into this whole new “social media” thing when Myspace got on the scene.  I digress.

I’d started hearing about Amy Winehouse somewhere around 2003, when people whose musical taste I respect immensely like ?uestlove would not shut up talking about her. Somewhere I stumbled onto a link of Amy doing “Stronger Than Me” and that was it. 

Usually with me and artists I love, it’s instant.  First time I heard Prince?  Done. Me and the Jackson 5/Michael was from childhood and even then, I got Jackson 5’s “Third Album” as a gift and never looked back.  It even became a running joke at meetings at EMI.  If I had an immediate reaction, they knew sales for that artist were going to increase in my market. Van Hunt and Nikka Costa both got that treatment.  So did Amy Winehouse.  

“Frank” wasn’t even available in the States at that point, so I went into one of the stores that I serviced (Jazz N Jams on Telegraph) and convinced them that it would be worth their time to bring in the import as i would pay whatever it cost ($35) and to bring in more, because they would be selling more.  Even at that price they couldn’t keep it on the shelf.  

Now let me point out, Amy Winehouse was NOT on EMI.  I worked that record as if she were.  To the point I had friends that worked at Universal that called to thank me for the job i was doing with her.  

I’d also started Dj-ing around that time as well.  I’d launched my night Groovelounge, which was specifically designed to expose the public to music that I thought needed exposure.  Of course, Amy got a LOT of shine from me.  I’d spin her all the time.  In those early days i’d usually spin “You Send Me Flying” because it kind of snuck up on you and then there you were going “wait a minute, what the fuck am I listening to?”  Which usually brought at least 3-5 people a night up to the dj booth asking “who is this?”  I’d beam and tell them, usually write her name down on a bar napkin and then tell them to go to Jazz N Jams and buy it.  ”Fuck Me Pumps” also got a pretty immediate reaction.

My friends got clubbed over the head with her, by me.  One of my best friends reminded me just yesterday about the fact that I got her hooked on Amy and then refused to burn the album for her.  I insisted she buy it, because Amy deserved the money.  My girlfriend at the time was with me in the car when i got “Frank”.  She got it too.  I think she loved Amy for the strong lyrics more than anything.  I loved her for her honesty.  And that voice. That voice.  I’ll admit i even had a bit of a crush.  I do on all my favorite female singers, usually.  My girlfriend knew it too.  She didn’t mind.  She was ours.

This was all before “Back To Black”.  When this was the Amy i adored.

I’d started hearing rumblings about a new album and me being me, I went nuts.  I started telling anyone that would listen and by this point most people that I knew were Amy fans. I’d heard that unlike last time, this album was going to be available domestically.  However that was going to be a couple of months and it was available as an import on Amazon now.  For $40.  I didn’t even think twice.  (put in credit card number, order, expedited shipping hells yeah, click, order, wait by the door)

Back to Black showed up and listening to that album my head hurt I was smiling so much. Such GENIUS.  ”Frank” hit you with a jazz/hip hop feel and those trademark biting honest Amy lyrics.  This was a whole other animal.  The sound was this Motown-ish horn driven monster.  I couldn’t believe my ears.  Even physically, she transformed for this new record. She’d lost a TON of weight (which I wasn’t happy about), the hair, more ink, she’d become something different because this album was something different.  I thought she was a genius.  

By this time I realized the world was starting to catch on.  Everyone was talking about Amy now.  Me and my friends were like “duh.  where have YOU been?”  It was so fun.  She showed up at the Grammy’s and killed and left with 5.  I didn’t know her but I felt like I did.  We’d spent some serious time together, her and I.  That was when everyone started paying attention to everything she did.  And when I started to worry.  

The occasional “Amy was too drunk to finish a show” video wasn’t so occasional anymore. The stories about drug use were weekly.  At one point I think her and Lindsay Lohan were in the news every other day for something.  It started to dawn on me that she was in real trouble.  

Anyone that’s dealt with addiction knows how helpless you feel watching someone else lose a battle with their demons.  I’ve gone through it on a very personal level.  This of course didn’t feel that way, but I still was affected in a very personal way because Amy had become personal for me.  

She was one of mine.  She was Groovelounge.  She was an artist that I personally loved and adored in more than a passing way.  When Michael Jackson died, I was a mess for a couple of weeks.  When Prince dies, I will be inconsolable.  The fact that I may not hear anymore music from Amy scared me but it started to dawn on me that we could lose her altogether.  I talked to people that i’d turned her onto about just that fact.  And i’d argue that if we only had those 2 albums, that they would go down in history as 2 of the best of her generation, if not ever.

I was pissed at her record company for putting her out on the road to promote the album, when she was obviously in no shape to do so.  Setting someone up to fail isn’t good business.

Amy became reduced to tabloid fodder and the world for the most part stopped caring.  I didn’t.  Occasionally, i’d see an article about her going to rehab and i’d be like “YES!”  Then i’d see Mark Ronson post something about trying to work with Amy on a track and him having to admit she wasn’t ready, and it would make me sad.  

Then you started to see the music world try to fill the void left by Amy’s musical absence. Lily Allen, Duffy, Adele, Eliza Dolittle, etc etc etc.  Don’t get me wrong, i love some of those artists as well (i adore Adele), but they weren’t Amy.  

Recently there was the footage of Amy’s recent concert attempt which made me wonder if she would ever make it all the way back.  She didn’t.

My best friend sent me a text message at 12:50 pm on Saturday telling me of the news at the same time my CNN alert on my phone sent the exact same message.  Amy Winehouse was gone.

I said one word.  ”No.”  Stood up and went to the computer to read it for myself.  I did and went to the kitchen and grabbed a bottle of Maker’s 46 and poured a glass.  Grabbed my headphones, plugged them into my phone and pressed play.  And cried.  Hard.  And laughed.  And smiled.  Cried some more.  

I didn’t know Amy Winehouse personally, but I personally loved and adored her.  She brought a lot to my life and I will miss her.  Her music will of course live on and in time (as it usually is with true genius artists) her art will go down in history as one of the true innovators of a generation. 

Damn. 

Amy, Amy, Amy.

hate to say I told you so…….

AT&T iPhone beats Verizon in nationwide 3G speed tests

By Brian X. Chen, WIREDFebruary 18, 2011 7:35 a.m. EST | Filed under: Mobile

The AT&T iPhone's average download speed was 1,769 Kbps. The Verizon iPhone's average download speed was 848 Kbps.The AT&T iPhone’s average download speed was 1,769 Kbps. The Verizon iPhone’s average download speed was 848 Kbps.STORY HIGHLIGHTS

  • Verizon iPhone and AT&T iPhone go head-to-head in broadband tests
  • You should get a Verizon iPhone if you really care about voice quality and calls
  • AT&T iPhone is better as a media-consumption device
RELATED TOPICS

(WIRED— The Verizon iPhone and AT&T iPhone have gone head-to-head in thousands of broadband tests, and the numbers tell the story you’d expect: AT&T’s network is much faster.

Ookla, creators of the Speedtest.net broadband test, compiled data from tests run by iPhone customers using the Speedtest.net app on both AT&T and Verizon.

On average, the reported AT&T iPhone transfer rates were roughly two times faster than the Verizon iPhone’s.

The AT&T iPhone’s average download speed was 1,769 Kbps, and the average upload speed was 730 Kbps. By way of comparison, the Verizon iPhone’s average download speed was 848 Kbps, and the average upload speed was 506 Kbps.

The results come from 43,000 AT&T iPhones and 14,000 Verizon iPhones all over the United States. Most Speedtest.net app users ran the tests multiple times, totaling 106,000 results from AT&T iPhone users and 49,000 results from Verizon iPhone users.

The Speedtest.net results did not provide data on coverage reliability or dropped connections.

From my benchmarking of the Verizon iPhone versus the AT&T iPhone, I also found that the AT&T iPhone’s 3G transfer rates were much faster than Verizon’s.

However, the AT&T iPhone sometimes could not complete tests because it did not have a connection, whereas the Verizon iPhone successfully completed every test. In short, I found the Verizon iPhone to be slower with network transfers but more reliable with coverage. Reviewers at other publications had the same results.

“I think that’s the story I expected to see,” said Doug Suttles, co-founder of Ookla. “Verizon has never talked up their speed, but they always talk up coverage and reliability…. I think the story is quality versus throughput: What are you after?”

Speedtest.net’s nationwide results back my verdict: You should get a Verizon iPhone if you really care about voice quality and calls, but the AT&T iPhone is better as a media-consumption device (Netflix movies, photo downloads and uploads, etc.) because of its faster speeds.

why Fringe is a show that you should be watching

Alternate Universe Intro

I should have done this a long time ago.  And maybe if i had, i could’ve saved some shows that I dearly loved and seriously miss.  Most recently my dear departed “Dollhouse”.  ”Firefly”.  ”Journeyman”.  I could go on and on.

However, let’s stay on point.  This is my plea for you to watch one of my favorite shows on tv, Fringe.  It’s in danger of being cancelled.  Mostly because I think the network doesn’t know how to market it, and they’ve put it in the death spot for a network tv show, the dreaded Friday night slot.   

Sure you can survive on Fridays on cable or a smaller network like Battlestar Galactica did on SyFy and Smallville/Supernatural have on CW, but for the most part no one watches network tv on Friday nights. 

So, why should you watch Fringe?  Other than because I love it?  Well, i’ll tell you.  It’s a wonderful show.  The premise is totally unlike anything on television.  It’s taken them three seasons to get fully into the premise, so I should probably apologize to people that have never watched the show before because I have to give a ton of spoilers in order to explain why this show is so amazing.  So if you don’t want to have me spoil the plot for you, then just take my word for it and watch the show and thank me later.  For those of you that need a little more convincing, read on knowing that I’m going to ruin a lot of the plot for you.

So the premise of the show from the beginning has been that there’s some weird shit going on.  Some things that happen that cannot be explained logically.  So there’s a government agency that’s been created to investigate.  Fringe Division.  and the agent that’s assigned to this department, Olivia Dunham.  She’s smart, determined, and kinda hot in a Gillian Anderson on X-Files kind of way.  Out of the gate she needs some help, and hears about a genius scientist that went mad that’s been languishing in a mental institution by the name of Walter Bishop.  No one’s had luck reaching Walter, so she tracks down his estranged son Peter and enlists his help in getting Walter sprung from the asylum and their first case is solved and they end up deciding to work together.

From there, it gets absolutely engaging.  We end up finding out that there’s an alternate universe, and a lot of the weird shit that is happening is from either tech from the other side, or from these shape shifters that come from over there.  Even better, we realize that Peter Bishop is from the other side.  Our side’s Peter died, and Walter not being able to save his own son, defies all logic and crosses over to save the other Peter’s life.  And while doing so sets in motion all of the events to come.  The other side gets damaged every time someone from our side crosses over and there’s a secret war going on.

This is good shit, right?  So even if it were just the premise alone, you should be watching this show.  But it’s not just that.  The casting of this show is one of those perfect storms that rarely happens on a show like this.  The casting is PERFECT.  Australian Anna Torv, absolutely nails the part of Olivia Dunham the determined, smart and subtly sexy agent.  The other genius piece of casting is the wonderful John Noble playing the part of Walter Bishop.  We find out that Walter had parts of his brain removed by his own request, which makes him somewhat of a genius savant.  Eccentric, forgetful, bluntfully honest and yet sweet, you adore this man.  Another big surprise is Joshua Jackson (yes, Dawson’s Creek) playing Walter’s son, Peter.  Smart, cocky, reserved and yet wonderfully sweet to the man that abandoned him as a child and in love with our Agent Dunham, just a joy to watch.  I have to mention the 2 unsung heroes of the cast, and that’s Jasika Nicole as Agent Astrid Farnsworth (part girl Friday and part Walter’s babysitter) who seriously steals the show every time her and Walter are on screen together and Lance Reddick who plays the super intense and serious Fringe Division head Agent Broyles.

Sorry for revealing so much, but i’ve left out a ton more.  This is my humble plea for you to watch a show that is engaging, smart, funny, and after Battlestar Galactica probably one of the most original sci-fi shows on television with an original premise that wasn’t stolen from Star Trek or Twilight Zone.   

So if you haven’t watched this show, do yourself a favor and start.  You can catch up on past episodes on Hulu and please watch the show in it’s regular time slot on Fox, Fridays at 9pm.  You will not be sorry.  And if you hate the show, i’ll mail you $5.  I’m serious about that, given we can have a discussion about why you hate the show and i actually believe that you’ve watched it.  

Thanks.

mmmm. bourbon.

Savvy Spending

Great bourbons at a bargain

bourbon_on_the_rocks.ju.top.jpgBy Jessica Dickler, staff writer

NEW YORK (CNNMoney) — Call it the Mad Men effect: retro fashions, debonair dinner parties and especially classic drinks — like bourbon — are back with a vengeance.

“Despite the recession, consumers decided they wanted to drink better,” says Frank Coleman, senior vice president of the Distilled Spirits Council of the United States.

Last year, sales of super premium bourbon (the highest price category) were up 17.7% from 2009, according to the council, while total bourbon sales grew at a rate of just 4%.

So what makes a bourbon “super premium”? Well, better often means older. Older whiskeys spend more time aging in an oak barrel, which is how they get their caramel color and much of the flavor.

“The older they are, generally the more expensive they are because time is money,” Coleman explains.

But that doesn’t mean you have to spend a fortune to have a good bourbon. Liza Weisstuch, a sprits writer and contributor to Whiskey Magazine, says that there are bourbons on the market for under $30 a bottle that could please even the pickiest cocktail connoisseur.

For example, Weisstuch recommends opting for the Elijah Craig 12-year-old bourbon ($27 for a 750ml bottle) over the heavier 18-year-old version that costs nearly twice as much.

Older bourbons have a higher alcohol content and taste stronger, which is not for everyone, she notes. “You will get an easier, mellower bourbon if it’s younger,” Weisstuch says.

That’s particularly preferable when using bourbon in a mixed drink like those trendy pre-prohibition cocktails. Want an old fashioned? Just add bitters, water and a sugar cube to your bourbon. For a Manhattan, the only extra is sweet vermouth.

Weisstuch also favors Weller’s 12-year-old bourbon ($28 for a 750ml bottle), which is one of the few wheated bourbons on the market. That means it’s made from mostly wheat and corn, like the more popular Maker’s Mark ($23 for a 750ml bottle).

But before buying, Weisstuch suggests looking for a bottle of bourbon that was aged in a single barrel and not from multiple barrels — “that indicates quality,” she explains

“Small batch” bourbons are just one level below “single barrel” and often times can be value buys. For example, Weisstuch likes Jim Bean’s Knob Creek — a nine-year-old small batch bourbon ($27 for a 750ml bottle).

While Jim Beam may be often seen at dive bars and roadside saloons, she notes that there’s a huge difference between their white label, which is aged four years, and the black label, which is aged eight years or longer. “Definitely worth a shot — err … a try,” Weisstuch says.

Need something even a bit lighter on the wallet? Charles Cowdery, author of Bourbon, Straight, enjoys a few bargain buys starting at $10 a bottle, including Very Old Barton, Evan Williams and Ancient Age.

But when it comes to his personal preference, he says, “my favorite bourbon is one that somebody else is paying for.” To top of page

my top 10 albums of 2010.

imagine my surprise when i actually could come up with 10 albums this year after a dismal 2009 release schedule.  amazingly enough even with the impending death of the physical music industry as we knew it, artists are finding easier ways to reach their audience.  so without further adieu, here’s what tickled my fancy last year.

10.  The Sea - Corinne Bailey Rae

i adored her debut album and worked that project with all my might, so i was really curious to see where Ms. Corinne would end up after everything she’d been through with the tragic loss of her husband.  it certainly found her in a more somber mood, but still showing tons of emotion in her unique delivery.  I hope her next release gets a little more upbeat again, but all in all i was not disappointed (coughcoughlikeiwaswithDuffycoughcough).

9.  My Beautiful Dark Twisted Fantasy - Kanye West

love him, hate him, he continues to bring the heat and push the boundries of hip hop like no one else in the genre at the moment.  what’s that old saying?  put up or shut up?  Kanye refuses to shut up.

8.  I Learned The Hard Way - Sharon Jones & The Dap Kings

anyone that has seen this band live, knows they are the TRUTH.  they continue to bring it like only they can.  powerhouse of a band fronted by Sharon Jones’ old school take no prisoners vocals equals a good time.  live or recorded.

7. Interpreting The Masters Volume 1: A Tribute To Hall & Oates - The Bird & The Bee

I spent a chunk of last years top 10 list drooling over who has become one of my favorite new groups.  i LOVE these guys, and this is a classic reason why.  there are VERY few groups that could take on an iconic duo with classic catalog like Daryl Hall and John Oates’ and make it their own quite like Greg and Inara did.  In a normal year this could have been a #1 on my list, but there were some really good releases in 2010.  do yourself a favor and buy this.  NOW.

New Amerykah Part 2 (Return Of The Ankh) - Erykah Badu

with so much attention that was given to the video of the lead off single, i was a little surprised that this album didn’t get more accolades.  this was as solid a release from Erykah as she’s ever done.  this was our summer banger cd for sure.

5.  Blood Like Lemonade - Morcheeba

one of my biggest pet peeves about the direction the music industry is headed, is the lack of information about new releases/promotion.  record labels basically fired all of US that used to get the word out about new projects, and physical record stores are closing like crazy.  this year alone, 2 of my favorite shops at home Record Time and Rock-A-Billy’s both decided to call it quits this year.  my point being, i had to pull up a list on the internet of releases of 2010 to help me put this list together, and i’d had no idea that A) Morcheeba had released a new album or B) the original vocalist Skye had returned.  needless to say, this album was sorely needed in my life.  absolutely gorgeous.  yes, please.

4. Heligoland - Massive Attack 

not a lot of explanation needed.  Massive Attack with Damon Albarn and Hope Sandoval and Horace Andy.  epic.  that is all.

3. Compass  -Jamie Lidell

again, one of my favorite artists of the last few years and my favorite concert of last year (until the purple midget blew my mind a couple of weeks ago) Jamie came back on a bit of a different note than his last 2 releases.  a little more electronic and less funky, but still very very interesting.  and joined by some amazing special guests the likes of Nikka Costa and Justin Stanley, this album was a tour de force that reminded me that this kid is planning on being around for a long while.

2. Soldier Of Love - Sade

oh, my love.  why do you leave me for so long?  let me wait and wait and wait and wanting to see you, only to have you blow back into my life, remind me of what i’ve been missing and then you leave me again, heartbroken?  why??????  oh, hey there.  um, yeah Sade put out an album and i liked it.  what?  

1.  Rock Dust Light Star - Jamiroquai

Jay Kay is back, and doing what he does better than anyone else.  This album is perfect.  Well worth the wait.  Bravo, sir.

2010 Hot 100 | Maxim.com | Maxim.com

okay.  i’ve been meaning to bitch about these for awhile now, as they make absolutely NO sense to me.  so Maxim every year does this “Hot 100” list of supposedly the hottest 100 women of that particular year.  

now, i understand that due to the fact that they have magazines to sell i get how quite a few of the people that they list, get to be listed because they’ve probably either been featured in the magazine or are going to be that year.  again.  sure.  but you do have EDITORS and quite often there are just unforgivable things that end up on these lists that make you scratch your head.

i’m going to completely gloss over the fact that Katy Perry is #1.  i mean she’s cute with a glorious natural rack, for sure.  but the “hottest” girl of 2010?  c’mon.  

then there’s the fact that CHELSEA HANDLER is even ON the list.  seriously?  are you kidding me?  does the fact that she did a sex tape automatically qualify her as “hot”?so if Whoopi Goldberg released a sex tape, is she going to end up on the list?  AND she’s ranked higher than Kelly Ripa, Keeley Hazell (who also had a sex tape) and Kelly Brook?  THIS IS WHY YOU HAVE EDITORS.  THIS MAKES NO SENSE.

Lily Allen is ranked higher than all of the women i’ve previously listed and is also ahead of YVONNE STRAHOVSKI (better known as Sarah on “Chuck”), Maria Menounos and Stacy Keibler.  REALLY?  so you’re in a bar and you’re LUCKY enough to be chatting up Sarah from Chuck and Lily Allen walks in and you’re like “later!”  do you see the point i’m trying to make?

Yvonne Strahovski should be in the top 20 at least, and i’m not even that into blondes.  Emmanuelle Chriqui (Sloane on Entourage) is at #68.  CRIMINAL.  

KE$HA.  at #56.  and ranked higher than everyone else i’ve listed and above Gabrielle Union, Erin Andrews, Grace Park (from BSG), ALESSANDRA AMBROSIO, Camilla Belle, Annalynne Mc Cord (from 90210), Zooey Deschanel, hell the fact the KE$HA is on this list at all is a total head scratcher.  she’s FUGLY.  and she can’t sing.  i digress.

Britney Spears still being on the list at #54.

Jennifer Love Hewitt coming in at #35, ahead of Joanna Krupa, Angelina Jolie, Malin Akerman, Anna Faris, Rachel Bilson, Emmy Rossum, good lord.

and George Clooney’s gf, Elisabetta Canalis is at #7. ahead of, oh let’s see, Olivia Munn, Kardassian, Scar Jo, EVA MENDES, Bar Rafeali, Olivia Wilde, Eliza Dushku, Jessica Alba, anyhoo.

i think i’ve made my point.  if you are not going to edit these things to where they at least make SOME sense? don’t do them.  

N Secure..Either You Are Or You're Not

okay.  so me and my fam went to the movies to see the new “RELEASE THE CRAKEN” (aka Clash Of The Titans) and just like every time i go to the movies these days, i tend to get really annoyed at all the commercials.  especially here in NYC, because it seems that you have to sit through at least 2-3 real estate ads from people that make me want to run them over in my car, not rent or buy anything from them.  but, i digress.  

so, we’re still in the commercials part NOT the trailers part and the “trailer” for this little gem comes up.  at first, i was like “is this a joke?” like i thought it was a fake trailer for a movie and then they were going to promote some new comedy show on BET or the CW.  

I wish.  nope.  this is a trailer for a “real movie”.  and if you can get through watching this without laughing your ass off, then i will pay you.